Studio Study — our own work, not a client commission

Studio Study No. 01 — A ring that keeps a letter

An in-house study: how a thought becomes a study, and a study becomes a piece.

Moonstone, its blue schiller catching the light

The Beginning

Every commission begins the same way: not with a stone, but with a sentence. For this study we gave ourselves the brief a client might give us — something about a mother who kept every letter her husband ever wrote her, tied in a ribbon, in a drawer that still smells of cedar.

The thought is not a design. It is a direction. Our work begins by listening for what the sentence is actually about: not letters, but keeping.

The Direction

Keeping suggested enclosure — a stone held rather than displayed. We chose moonstone for its interior light: it does not sparkle, it glows, the way memory works from the inside.

The band stays quiet. Width and proportion did the talking; anything louder would have competed with the point.

Rough moonstone before cutting

The Study

Three settings were drawn. The first exposed too much of the stone — it performed. The second buried it. The third lets the dome rise just above the bezel, so the light moves when the hand moves.

A study is allowed to be wrong. That is what it is for.

The Piece

The finished study: a moonstone cabochon in a low bezel, a band with a softened square profile, the inside polished for engraving. The letter it was built around stays private — some details belong to the wearer alone.

Moonstone beads, finished and strung

The Detail

One decision survived every draft: the bezel is open at the base, so the stone touches skin. Keeping, literally.

Have a thought that should become a piece? Enter the Atelier.